Panasonic G95's sensor provides 4.3MP more than Panasonic G7's sensor, which gives a significant advantage in real life. Here’s an example I tagged of Brighton’s Royal Pavilion, using a GPS log made in my Galaxy S6. Tilting LCD screens have become a staple of interchangeable Lumix cameras and the G7 and GX85 are no exception. Even the 14-140mm zoom is compact at 75mm long, 65mm in diameter and 265g in weight, making it roughly similar in size and weight to Canon’s EF-S 18-55mm STM kit zoom, but with a 10x range rather than 3x. It is of course personal but I don’t see why so many cameras employ tiny buttons when there’s room for larger ones that are easier and more comfortable to operate. In terms of specification and price it goes up against models like Nikon’s D5500 (124x97x70mm / 470g) and Canon’s EOS 750D / T6i (132x101x78mm / 555g). GH4 4k UHD crop indicated by inner edge . The GH4 has a 2.4 4K crop while the G7 and GX85 has a 2.2 4K crop. But it’s also surprisingly useful for portraits, especially of kids, where an expression can change between frames. 4K UHD video is available at 24p and either 25p or 30p depending on region, all at 100Mbit/s. In each case you can use the touch-screen to reposition AF areas or select subjects, a feature that I really miss on cameras which neglect to offer touch-screens. I’ve found this particularly with many collapsing kit zooms which often trade image quality for size. I do however wish Panasonic would offer USB charging in-camera for its mirrorless cameras. In this clip I tested the focus-pulling by touch, using the screen. It’s an important capability that makes the G7 very usable across a wide range of lighting conditions. You can also choose a lower frame rate to stretch your movie length and choose whether to run through the sequence forwards or backwards. 100% crop: Canon EOS M3 on the left, Panasonic Lumix GH5 on the right, both at ISO 1600, f/8, 1/200 Hybrid'‹ While my G7 has been used almost solely for video, I use a Canon EOS M3 for stills. Here’s one I filmed of a tasty Thali lunch at Brighton’s Chilli Pickle restaurant, composed of 1200 frames at one second intervals and encoded at 25fps – so a 20 minute period compressed into 48 seconds. If focus peaking is enabled, the edges of objects are highlighted when they’re in focus, which offers additional confirmation; this works particularly well in conjunction with the magnified view. I should also mention you can not only adjust the brightness of the G7’s screen, but also the contrast, saturation, red tint or blue tint, all in fine increments. A button to the left of the viewfinder releases the popup flash which offers a Guide Number of 6.6 at 100 ISO, less powerful than the GN 12 at 100 ISO of the Canon EOS 750D / T6i. Again though, no 4K video, nor focus peaking on either. The composition includes many areas of fine horizontal lines, particularly on the various doors and shutters by the beach. Above: Lumix G7 14-42mmÂ kit zoom coverage at 14mmÂ (left) and 42mmÂ (right). Positioned as a true multimedia camera, capable of utilizing its high-resolution video capabilities for both stills and movies, Panasonic's Lumix DMC-G7 is a mirrorless Micro Four Thirds model characterized by its hybrid sensibilities and versatility in recording media. Interestingly the GH4 wasn’t immune to this effect, and while it suffered a little less than the G7, it really was only by a small amount in this particular composition. First test of the Panasonic G7 4K video and I'm really impressed! Check out these and my other recommendations in my Micro Four Thirds lens guide. Like other single-digit G models, the G7 is equipped with an electronic viewfinder and a fully-articulated touchscreen for composition. Lumix DMC-G7: With sophisticated ... superb controls and 4K video capture, the Panasonic G7 packs a serious punch. Audio is recorded using either the built-in stereo mics, or an external microphone connected to the 3.5mm jack. I strongly encourage you to download the G7 and GH4 versions of this clip via Vimeo and evaluate them on a native 4k display. PANASONIC Lumix G7 4K Digital Mirrorless Camera Bundle with Lumix G Vario 14-42mm and 45-150mm Lenses, 16MP, 3-Inch Touch LCD, DMC-G7WK (USA Black) $597.99 Get the deal Can I edit a 4k frame taken from a Lumix G7 after the fact? Note the smallest of the bunch remains the Sony with its particularly compact kit zoom, although in my tests I’ve found the Sony kit zoom to be the worst performer of its rivals, becoming quite soft in the corners. For 4K video, however, the Lumix G7 is mighty impressive at this level. While roughly comparable in size and detail to other new mirrorless cameras of its class, the G7’s viewfinder delivers a considerably larger view than rival DSLRs. The camera’s more customisable too with 11 custom function buttons (six physical and five soft versus five and two on the G6), and each of the G7’s function buttons can be configured from no less than 14 pages of options. Tilting LCD screens have become a staple of interchangeable Lumix cameras and the G7 and GX85 are no exception. 720p and VGA options are also available. r/PanasonicG7: All things pertaining to Panasonic's mini 4k video powerhouse, the G7. Editing a 4k frame from a burst and editing too much base noise on a 4k video? Like the G6 before it, I’m pleased to report the G7 has stuck with an OLED panel, although while the magnification remains 0.7x, the resolution has been upgraded from 1440k dot (800×600) to 2360k dot (1024×768). Whether you’re shooting cityscapes at night or exploiting the excellent face and eye detection to capture events, the G7’s AF system feels very confident. Measuring 125x86x77mm and weighing 410g with battery, it’s roughly the same width and height as the Olympus OMD EM5 II, although a little lighter and thicker thanks to a chunkier grip. Sample movie filmed with the Panasonic Lumix GH4 in its 4k UHD / 25p mode. See my Lumix G7 CAF 14-42mm movie. Here’s the coverage you can expect rom the 14-42mm kit zoom, and like other Panasonic zooms, it’s optically stabilized. The Extra Teleconverter option works in all but the 4K modes, taking a 1:1 crop from the middle of the frame at the selected video resolution and therefore providing a tighter view without degradation in quality; neatly the 1:1 crop also better avoids moire effects. When filming in 1080p, the Extra Teleconverter effectively applies a 2.39x field reduction. Buy Panasonic LUMIX G7 4K Mirrorless Digital Camera Black with 14-42mm Lens, 16 Megapixel, Bundle with Marantz Microphone, LED Light, Joby GorillaPod 3K Kit, Battery, Bag, 32GB SD Card, 3 Shoe V-Bracket: Mirrorless Cameras - Amazon.com FREE DELIVERY possible on eligible purchases Panasonic Lumix DMC-G7 equivalent aperture: Aperture is a lens characteristic, so it's calculated only for fixed lens cameras. As it stands, they’re all quite small and give minimal feedback when pushed. Lens, 16 Megapixel Mirrorless Camera, 3-Inch LCD, DMC-G7KK (Black) 4.6 out of 5 stars 622 $497.99 $ 497 . The lens was the Olympus 7-14mm f2.8, set to f4 in the Manual Movie mode and adjusted to deliver the same field of view as the other 7-14mm clips in this sequence, allowing us to compare the effective resolution of each camera and filming mode. The new 4K Photo feature allows you to crop individual frames from 4K video footage, so it no longer matters if you didn't press the shutter at quite the right time. Here’s a selection. This is roughly the same as Sony quotes for the A6000 but falls short of the 440 or 820 shots per charge that Canon and Nikon quote for their EOS 750D / T6i and D5500 respectively, although remember that’s when using their optical viewfinders; switch them into Live View and their batteries are depleted much faster. The maximum recording time on all models, whether in Europe or not is 29:59. Above: Download the original file (Registered members of Vimeo only). As always, the Single AF modes are the highlight of the Lumix G focusing experience. Alternatively you can capture 1080 at 50p / 60p at 28Mbit/s, or at 25p / 30p at 20Mbit/s. VisiHow QnA. /u/PastramiSwissRye answered my question here: https://www.reddit.com/r/PanasonicG7/comments/3zfu0f/crop_factor_for_4k_video/cym5c9j, New comments cannot be posted and votes cannot be cast, Press J to jump to the feed. Panasonic quotes over 100 images when set to JPEG, or 13 when a RAW file is also being recorded. In terms of controls, Panasonic has made quite a few changes on the Lumix G7 compared to the G6. This section is not written yet. While many mirrorless formats are lacking a complete range of lens options, Micro Four Thirds generally offer two or three alternatives at each common focal length – a key advantage over rival systems. Canon M50 is 9mm narrower and 18mm thinner than Panasonic G7 but it … I did some calcs based on the info given and if I did it right, it seems to be about 2.144. PANASONIC Lumix G7 4K Digital Mirrorless Camera Bundle with Lumix G Vario 14-42mm and 45-150mm Lenses, 16MP, 3-Inch Touch LCD, DMC-G7WK (USA Black) $597.99 Get the deal Panasonic even lets you tap the screen to configure the AF area when you’re composing through the viewfinder, a job that’s easiest to do with the screen flipped-out to the side. Above:Â Lumix G7 HDR disabled (left), enabled with 3EV range (right), Above:Â Lumix G7 Histogram with HDR disabled (left), enabled with 3EV range (right). The Panasonic Lumix DMC-G7 is a mirrorless, 4K compact camera with an interchangeable lens system. very usable. This uses the accelerometer in your phone to trigger the shutter remotely as you jump in the air. The LUMIX G7 features exclusive 4K Ultra HD* video technology you can use to pause and extract that perfect photo moment in time as a high resolution photo [up to 8 megapixel]. The Lumix G7 is equipped with a lens mount that’s compatible with the Micro Four Thirds standard. The Panorama option on the mode dial gives you the choice of Standard or Wide image sizes and the chance to pan the camera up, down, left or right. I think the bottom line is while the GH4 should still enjoy the edge in 4k quality, the G7 comes very close, and in some situations the footage will be almost indistinguishable. The touchscreen is well-used for movies: it’s possible to tap to pull-focus between subjects when filming, either automatically if Continuous AF is enabled, or as soon as you half-press the shutter release if it’s disabled. The lens was the Lumix 14-42mm kit zoom in Manual Movie mode. The G7’s AF system works down to -4EV which means it can simply keep focusing in very dim conditions when other cameras become sluggish or give up. This item PANASONIC LUMIX G7 4K Mirrorless Camera, with 14-42mm MEGA O.I.S. The Panasonic G7 will be available in mid-June 2015 for $800 with a 14-42mm kit lens and $1,100 with a 14-140mm lens. The LUMIX G7 features exclusive 4K Ultra HD* video technology you can use to pause and extract that perfect photo moment in time as a high resolution photo [up to 8 megapixel]. Lens, 16 Megapixels, 3 Inch Touch LCD, DMC-G7KS (USA SILVER) (Renewed) at Amazon.com. Above: Lumix G7 video qualityÂ with 7-14mm lens, 100% crops from 4K UHD (left) and 1080p (right). Also if anybody is considering a Metabones speedbooster for this camera, I just purchased the ULTRA version, which has a focal reduction factor of 0.71, along with a Sigma 18-35mm 1.8. Panasonic Lumix DMC-G7 Kit 14-42mm F/3.5-5.6 OIS – Silver. Like the G6 before it, the light but mid-sized body gives the G7 a less dense feeling in your hands compared to models from Sony and especially Olympus, but it’s still a solid and well-built camera. Since the G7 has 4K capabilities, I don’t see why it shouldn’t receive Light Composition via firmware update in the future. Panasonic Lumix DMC-G7 : Tests and Reviews Specifications COMPARISON SELECTION (3 selected items max.) You can start and stop video recordings of any quality via the app, and also tap the phone screen to pull-focus while filming. So in single AF with JPEGs, the G7’s burst shooting slightly exceeded the specifications and in continuous AF it was slightly slower. Panasonic’s Lumix G 14-42mm however is an exception: a lens which may not collapse, but is very compact none-the-less and which importantly delivers much better quality than you’d think for the money, including surprisingly sharp corners. Does anybody know the exact difference in crop? You can also use the app to copy videos to your phone, although only up to 1080p quality. The shock caused by movement of the shutter diaphragm is dramatically reduced and the shutter sound is significantly minimized. If you prefer to generate HDR manually, or simply want to cover yourself, the G7 is very well-equipped for exposure bracketing with three, five or seven frame options at up to 1EV apart; these can be triggered singly or in a burst, although not in conjunction with a self-timer. Above: Download the original file (Registered members of Vimeo only). Above: 4KÂ video qualityÂ with 7-14mm lens, 100% crops from Lumix G7Â (left) and Lumix GH4Â (right). The 8-megapixel image is a crop … VisiHow QnA. Like previous Lumix G bodies, the G7 employs a 100% contrast-based AF system with Panasonic once again resisting embedded phase-detect points on the sensor; in this respect Micro Four Thirds bodies, with the exception of the OMD EM1, differ from the vast majority of new mirrorless cameras which employ hybrid AF systems. The camera was set to 200 ISO, the Standard Photo profile (0, 0, 0, 0) and the Luminance Level of 16-255. But 3:2 is a good compromise for the screen as it means the wider shape of 16:9 movies aren’t displayed too small, and of course you can always shoot photos in the 3:2 shape if you’re willing to accept a minor crop and loss of resolution. I filmed some comparisons and measured the original crop for 4k on the G7 as around 4120×2318 pixels. I’ve made a composite above (using actual footage I filmed) of a still photo, overlayed by the G7’s 4k video crop, indicated by the outside edge of the red frame. I’ve made a composite above (using actual footage I filmed) of a still photo, overlayed by the G7’s 4k video crop, indicated by the outside edge of the red frame. With 4K Ultra HD video at 30 frames per second, you’ll never miss a photo again. The lens was the Lumix Leica 25mm f1.4, set to f1.4 in Manual Movie mode. Sadly the NFC capabilities of the earlier G6 have been removed, no doubt as a cost-saving exercise – a shame since I enjoy the geeky aspect of initiating a smartphone connection with a tap, but it has to be said scanning a QR code isn’t actually any harder or slower. Thanks! 313. This means the G7 shares the same panel technology and resolution as the flagship GH4; indeed Panasonic told me the G7 viewfinder was the same as the GH4, although the official specs quote the GH4 magnification as fractionally lower. Like the Olympus OMD EM5 II, the twin dials have been carefully positioned to allow easy adjustment of either even when holding the camera with one hand. One of the other highlights of shooting with a single-digit G-series camera is the fully-articulated touch-screen that can flip and twist to any angle. Do I miss the G6’s rocker control? This gives it access to the broadest and most established catalogue of native mirrorless lenses, including many great quality options from Panasonic and Olympus. That said, I actually managed comfortably more than 360 shots from the G7: on one charge I shot 345 images with the mechanical shutter, along with a further 1800 using the electronic shutter across two Timelapse sequences, not to mention several minutes worth of 4k and 1080p video. I’d also recommend reducing the image quality to ensure you don’t run out of space. To further illustrate the differences in coverage for video, here’s two screengrabs from the G7 fitted with the 25mm f1.4 lens for 4k UHD on the left and 1080p on the right; it’s clear how filming in 1080p captures broader coverage. I’ll discuss the AF performance more in a moment. If you can get past the plasticky feel, you'll find that the 16-megapixel Micro Four Thirds sensor does a fine job capturing images, and an even better one when it comes to 4K video. The sensitivity for movies is selectable between 200 and 6400 ISO, and there’s an Auto ISO option too, although sadly not when shooting in full Manual mode.
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